LIFE AND OTHER STORIES

The fourth dimension of a place is in the spirit of living and of those who know how to observe. It pervades every

environment and charges it with an exclusive and unrepeatable meaning. The variables are many, and they in-

tervene by enhancing and smoothing the response of each of the five senses: like the irregular materiality of a

wall on which the daylight and the shadow of a plant play at escaping and giving themselves space, creating an

involuntary and always different decoration, but also involved in the beauty of the space. The image of a room,

the spontaneous fusion of tones perceived between surfaces, furnishings, and accessories, remains impressed on

us as a sensation and nuance of well-being and welcome: rather than the exact memory of the colours and mate-

rials that compose it, the memory of a single luminosity remains, aligned with the frequencies of beauty. On the

other hand, elegance is in the harmony and balance of the elements surrounding us, involved in an atmosphere of

sensual enveloping: sensation prevails over reason, and feeling good coincides with participating precisely in this

harmony. The Tacchini furnishing elements follow this dance with a rhythm made up of light pauses and delicate

overlaps: suggesting possible declinations of how to experience space without alterations and forcing, but in nat-

ural continuity. A sort of implied punctuation that does not close or conclude any dialogue but rather opens to a

different dimension: the unexpected ‘fourth’, the privilege of those who know how to observe.

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